The film follows the Scottish Queen, played by Irish actress Saoirse Ronan , as she returns home to Scotland from a life in France to rule her home country, but faces threats from all sides, including from her own cousin, Robbie's character Elizabeth I of England. One scene that's already causing a stir is a scene in which Darnley pleasures Mary with oral sex to avoid her getting pregnant before they wed, with the camera providing a close-up of Ronan's face as she portrays her character's ecstasy. We need to see her face to do that. Additionally, the scene has attracted attention due to the fact stars Ronan and Lowden are a couple, according to Page Six. Saoirse Ronan herself spoke of how comfortable the pair were during the sex scene together, when speaking to Metro.
Saoirse Ronan Breaks Down Her ‘Mary Queen Of Scots’ Sex Scene In All Its Progressive Glory
Saoirse Ronan Breaks Down Her ‘Mary Queen Of Scots’ Sex Scene In All Its Progressive Glory
By Sean O'grady For Mailonline. Margot Robbie and Saoirse Ronan opened up about the unique rivalry between their characters in Mary, Queen of Scots, where Saoirse plays the monarch of the same name and Margot stars as Queen Elizabeth I. Saoirse, 24, said: 'In the film you see the admiration between the two of them. There's definitely a rivalry, professionally and politically speaking. The film portrays the far-off conflict between Mary and Elizabeth who were ruling in separate kingdoms. The actresses have only one scene together in the film, and did not see each other at all during filming otherwise. Josie told Metro.
Margot Robbie and Saoirse Ronan reveal their on-screen rivalry in Mary, Queen of Scots
Skip navigation! Story from Entertainment. Everyone loves a good sex scene. And a really good sex scene is basically porn, which is convenient now that we can no longer count on Tumblr for adult content. Shows on streaming platforms gave us steamier and crazier encounters.
Is there room for two queens on a single island? In a single movie? The history books cast them as bitter rivals, but the film imagines them as long-distance frenemies. Mary, already a widow and still in her teens, alights from France as an avatar of worldliness and modernity in a rugged, clannish country. Her dresses bring a splash of bright color into the dark, brooding atmosphere, much as her temperament flavors the dreary affairs of state with wit and charisma.